SONOS MINERALIS (2023)

front facing photo pf the installation, metal frame with acrylic glas plates with prints
Photo by Scheiber Pötter, depicting my working desp with Laptop and MaxMSP, the unglazed ceramic speakers and the tech to go into it.
Photo: Scheiber Pötter
a person interacting and listening to the installation.

Interactive Sound Installation
Exhibited at the National History Museum Karlsruhe



An interactive sound installation, combining technology, minerals and rocks, metals and clay speakers to create a playful exploration of soundscapes and the history of the earth.

The interactive installation “Sonos Mineralis” lets people remix their own version of time and place throughout earth’s history. Six different types of rocks are sonified, one soundtrack for each rock. By rotating the image plates, users can mix together their own soundscape. The sound is played out of slip-cast speakers made out of clay, enhancing the experience with a unique sound.

Six cross-sections of different rocks were chosen and high-resolution photographs of them were taken (with kind support from the Natural history Museum of Karlsruhe). Each rock came to the surface in a different manner such as sediment deposition or lava explosions catapulting the minerals up from different levels of the earth’s mantle.

These images were then divided up each into a fine grid using “MaxMSP”, and average brightness-values for each individual cell were calculated. The values were then mapped against sound-values and played through, from left to right across the rows and cells, creating specific soundtracks for each image. For the programming in MaxMSP I kindly received support from Kimin Han.

Turning an image-plate controls the volume of the soundtrack correlating to the image printed onto the acrylic glass of each image plate. The users are invited to play with the installation, turning the images and trying to identify which elements of the sounds come from which image or rock, and remixing all of it together into their very own soundscape.

The volume is controlled by AS5600 magnetic rotary position sensor, built into the sides of the metal frame by me and programmed by Kai-Uwe Hermann.

Kindly supported by the UNESCO City of Media Arts Karlsruhe with the “Project Funding Program for Media Art 2022” and part of the exhibition “Media Art is Here 2023”. Many thanks also to the Natural History Museum and Dr. Spiske, as well as to Dieter Sellin for his advice on speakers!

Link to the soundtracks: SOUNDCLOUD


IMPRESSUM